I fell down another rabbit hole recently and finally figured out how to make nice maps. I’ve always loved studying and drawing maps. In the railroad business it is “no map, no meeting” according to the famed railroader Jim McClelland. I had, for years, done lousy work using Paint to illustrate concepts, while it gets the point across, the results are really unprofessional.
In my post on anthracite coal, I really wanted to include a map to illustrate the various tariff routes between the coal region and the B&A. I attempted a version in Paint and junked it because it was going to be too much work for a lousy result. A week later I needed to create some maps for work. Although the results would have been good enough, I was really sick of working with Paint. With that I went out looking for something better to use. George Sebastian-Coleman of Trains says they use Adobe Illustrator, which I’m sure is great but you need to pay a monthly subscription to use. I went looking for a freeware replacement for Adobe Illustrator and found Inkscape.
To quote Wikipedia,
Inkscape is a free and open source vector graphics editor used to create vector images, primarily in Scalable Vector Graphics (SVG) format. Other formats can be imported and exported.
Inkscape can render primitive vector shapes (e.g. rectangles, ellipses, polygons, arcs, spirals, stars and 3D boxes) and text. These objects may be filled with solid colors, patterns, radial or linear color gradients and their borders may be stroked, both with adjustable transparency. Embedding and optional tracing of raster graphics is also supported, enabling the editor to create vector graphics from photos and other raster sources. Created shapes can be further manipulated with transformations, such as moving, rotating, scaling and skewing.
I read a little about the basics of Inkscape and then found a tutorial for hobby map making online at Deviant Art. I followed along and created a map of the Akron Canton & Ohio’s line across the Buckeye State. AC&Y is about as simple a railroad to map as can be imagined a good choice. Every step took some effort to work through, but I got it done. With that done, I had a much better idea on how to attack a more serious project.
First Real Result
With the basics under my belt I then put together a map for my blog post. On this one, I watched some YouTube tutorials as I went along and learned some short cuts. For base maps, I used a snip of Norfolk Southern’s 2016 system map as the primary map and also fitted an old map of the anthracite fields over it so I could outline those areas. Below you can see what I was able to come up with. I hit pretty close to the mark I was aiming for. That I was able to do something like this almost from jump street speaks to how easy the software was to learn to use (or at least learn to use when you really want to learn).
Looking at it in the light of day, I see a bunch of stuff I’d do differently now that I know more about the tools and how it looks when posted through WordPress. First off, saving the SVG as a PNG file reduces the size and pixilates the image, then posting to WordPress further reduces the size.
Opening these in a new window, by right clicking on it it and selecting the first option in the drop down menu, produces an image only abut 5% larger, but with much better appearance. If I were to redo this one I would use slightly larger and more readable fonts, improve the contrast for the state labels and turn the basemap onto the north-south access. I will also be able to do a better job with the coast line next time too.
With that under my belt, I went out and tried to duplicate the style that Trains used in the early 1990s. I charted out the surviving routes of Erie Lackawanna, just to have something to do (also in honor of Conrail Day 4/1/76!). I quit before I was finished, mainly because I proved to myself that this was a workable program and I wasn’t all that interested in the final result….you can check out how far I got below (again, this wasn’t designed to have the file compressed to post on WordPress – the printed version on 11 x 17″ paper looks perfect).
All that said, for a first try, I am really happy with the way this came out and will be able to do the next ones much faster. I might try and duplicate the style Trains used in the 1960’s to illustrate topics on this site (lots of Futura and bold Century Gothic) or try to match their current style which usually features a highly transparent satellite image below. Another skill added to the toolbox.
After making some progress on benchwork, I took a bit of a break. To get back into the swing of things I finished a bunch of freight cars that had been on my workbench. Here are the first three to be completed:
P&LE Greenville Gondola
The NYC and P&LE combined to own 12,600 52′ 6″ long gondolas built to the so-called “Greenville Design” (counting the last 1000 P&LE cars which are all welded and excluded from other rosters). I believe this is the second largest group of mill gons operating in the US during the 1950s and 60s (the largest being the PRR G31/G35 cars). Proto 2000 and now Walthers has had a well-detailed model of this car available for quite some time now. The early kits can still be found a train shows for bargain prices.
NYC switched from reddish brown red to black for the body color of gondolas during June of 1956. For whatever reason the black paint scheme has never been run by Life-Like or Walthers. While NYC and P&LE had a huge fleet of these cars, only about 2000 of them are an exact match for the Proto 2000 model (wood floors and interior folding stake pocket/lading band anchors). As such only these numbers have been run in factory paint. Since I needed to custom paint a car to get this scheme, I opted to also make some additional changes to differentiate this car from others on the roster.
I found plans of a steel floor car on George Elwood’s Fallen Flags web site (link). I used Micro Mark rivets laid out on .020″ styrene sheet cut to match the original floor dimensions. Additional relief for the splice plates and bolster covers were cut from 005″ styrene. Additional plate and rivet detail was added to the car sides. NYC’s Greenville gons all had ladders on the sides instead of grab irons. I used spare parts already on hand for those. I also added continuous lading band anchors from Tangent. Not many NYCS cars had these, but they are much easier to do than the exterior tie down loops that most cars had. Since I was modeling a car with lading band anchors I carved off the cast on interior tie downs/folding stake pockets.
The rest of the car was built per kit instructions with the exception of A-Line sill steps, Hi-Tech Air hoses and Tangent uncoupling levers. I painted the car Model Master black and lettered it using at least five different decal sets. Mask Island sells a P&LE gondola set now that would work for this car, but I had enough marks on hand to do this without a dedicated set. Weathering was done with a wash of raw umber oil paint, followed by Dullcote and a dusting of pan pastels. I used Raw Umber for the exterior and trucks, Burnt Sienna for the interior and Burnt Sienna Shade for the couplers.
NYC 40′ PS-1
NYC owned the fifth largest fleet of 40′ PS-1 boxcars at 5000 standard copies (plus 25 Pacemaker cars with an experimental cushion underframe), so this is another must-have car for really anyone modeling the ’50s or ’60s regardless of their prototype. This car has been on my roster for a long time and was beat up from traveling to train shows. To fix it, I pretty much had to strip all the details off and replace them. I didn’t go to great lengths on this car, NYC’s PS-1s had poling pockets (resulting in tabs where the sill steps attach) and towing staples, since this car had been assembled already I opted to ignore those details and stick to the basics. I replaced the following:
Running board – Kadee
Broken Stirrups – Kadee
Broken Ladders – from another Intermountain kit on hand
Trucks – Kato ASF A-3
Uncoupling Levers – Tangent
Air Hoses – Hi Tech
Brake Wheel – Kadee Miner
I weathered the car with a wash of oil pants. I then added the repack/reweigh paint patches and decals based on the Jim Sands photo above. After airbrushing on Dullcote I gave it a light dusting of Pan Pastels. Chalk marks were drawn on with a white colored pencil using period prototype photos as a guide.
The roof got major attention, my current “weathered galvanized roof” technique is a multi-layer one. I brush on a coat of Polly Scale BAR Gray to start. When that dries after a few minutes I dab on SP Lettering Gray with a stiff bristle brush followed by a dusting of Neutral Gray Pan Pastels to blend it all together. Lastly I go back and hand paint the ribs between the panels the appropriate color.
NYC AAR Postwar Boxcar
Another common boxcar on the NYCS roster was the postwar AAR boxcar with typical 1949-54 combination of early R-3-4 improved dreadnaught ends and diagonal panel roof (I just use “1949 AAR” in my notes, even if that isn’t the most accurate description). The 1949 AAR design numbered 3000 on the NYC and 4000 on the P&LE. Branchline had produced kits with several correct schemes. This one came lettered with the Pacemaker slogan, correct for lot 773-B (these cars weren’t intended for Pacemaker service, they just advertised it). The 1960s boxcar fleet was relatively young, so there aren’t many chances to model a rustbucket but a photo in the NYC Color Guide to Freight and Passenger Equipment Volume 2 gave me the inspiration to do just that with this car.
For this car I did the heavily rusted sections after the initial oil wash dried. I masked off along the straight lines along the panel seams and dabbed on burnt umber oil paint with a deerfoot brush. I then added the paint patches and used Microscale roman stencil alphabets to try and match the prototype lettering (not great but close enough). The roof and details were more or less the same as the Intermountain PS-1 above.
With detailed freight cars selling in the $50 range it is nice to bang out a handful of projects in the $20 range (including details). Weathering cars is also a great way to get back in the groove of things after taking a break from modeling for a bit. It also feels good to get these done as they’ve been on my workbench for some time now. I’ve got a pair more cars that should be finished shortly. I’ll post photos when they are done.
In the first half of the 20th Century, anthracite coal was a major commodity of Northeastern railroads. It seems like every station on every railroad had at least one coal retailer. After World War II, the nation accelerated its transition to other fuels and these facilities vanished from the landscape. As I sketched out plans for the Claflin-Sumner Ludlow Street coal yard I wanted to get a better sense of what the volumes and traffic patterns would look like in a mid-1960s setting to better model these shipments. To figure that out, I dug into the Carload Waybill and Freight Commodity Statistics for Class I railroads. Here is what I found.
While the B&A isn’t a railroad usually associated with anthracite, the numbers show it had a significant share of the area’s hard coal – about 20%.
Anthracite volumes 1930-1965. B&A data after 1948 is estimated from MA data based on B&A’s 1948 market share. B&A 1930 and 1933 carloads estimated by using B&M tons per car for those years.
The data showed that tonnage declined dramatically with the onset of the Great Depression and then stabilized with a little bump from WWII. After the war there was a major conversion to home heating oil and natural gas. Over 80% of the tonnage was lost between 1948 and 1958. By 1963, the B&A was down to less than 2 cars per day – about 4% of the tonnage from 1930 when they were handling 48 cars per day.
Still, a couple cars a day isn’t zero. Maybe half of that volume terminated east of Springfield, so a car in a through freight every other session works out about right. What about the coal yard at Jamesville though? It appears that it closed not long after 1960, it’s sister yard on Webster Street stayed open past 1966 though and a dozen other yards were open in the city during 1963. With that in mind, it isn’t a stretch to use a little modeler’s license to extend its life.
Origins and Routes
All anthracite was mined in Northeastern PA in four fields. The northern field around Scranton-Wilkes Barre declined dramatically after the mines flooded in a tragic accident in 1955. The other three fields to the south fared a little better. The Anthracite Coal Division 1965 Annual Report published by the Department of Mines and Mineral Industries of Pennsylvania (link) showed hundreds of mine sites still in operation with 140 preparation plants processing coal (breakers, washeries etc…). The top coal producing companies were the following [company, tons produced, breakers used (location – if different, serving RR)]:
By 1963 the Class I railroads originating this traffic had contracted to the six carriers listed below:
Anthracite tonnage volume from the 1963 Freight Commodity Statistics for Class I Railroads publication – this is the last year that individual railroad statistics were listed
The category we are most interested here are the tons forwarded, since all the traffic to Massachusetts would fall into this category. Lehigh Valley and Reading led the pack by a wide margin. Although Reading’s totals include the Jersey Central, CNJ’s tonnage was always smaller and was hit badly by the collapse of the northern field. It is interesting to see that the Pennsy was the third overall in anthracite tonnage originated, but 2/3 of it stayed local to the PRR.
Routes to the Boston & Albany from these origins include the following based on a 1947 New York Central routing guide:
E-L (D)-Utica-NYC (E/WS)-Selkirk-NYC (B)
E-L (E)-Binghamton-D&H-Albany-NYC (B)
LV-Wilkes-Barre-D&H-Albany-NYC (B) or LV-National Jct.-NYC (WS)-Selkirk-NYC (B)
RDG-Haucks-CNJ-Wilkes-Barre-D&H-Albany-NYC (B) or RDG-Allentown/Quakeake-LV-Wilkes-Barre-D&H-Albany-NYC (B)
This shows the the D&H, which had the most direct route from the B&A to the anthracite region, enjoyed the lion’s share of the traffic to the B&A. As the B&A’s only direct connection to the anthracite region, it should not come as a surprise that several of the large dealers on the line, incluing Claflin-Sumner, sold Hudson Coal – a D&H affiliate. Hudson Coal was acquired by Glen Alden in 1963. So while LV and RDG led carriers handling hard coal, the B&A’s long term ties with the D&H may have given them a larger market share on this line. Regardless of routing, all cars from all these routes would come east in BA-6 and return west on a BV extra.
About 15-20% of the business on the B&A was overhead. New Haven and B&M didn’t participate in any through routes with the NYC to the origin carriers over the B&A. That may mean that the bridge traffic went to the CV at Palmer, G&U at North Grafton plus the NYC Harlem Division and Rutland at Chatham, NY.
In 1963 there were still over a dozen retail dealers on the B&A proper from Worcester to Boston that were listed in the Freight Delivery Circular as receiving coal. These are only customers served at common points with outer lines. Perhaps there were two dozen firms still using B&A routings. That gives an average of one car every 12 days on average. Since I model winter, and Claflin-Sumner was a bigger firm, maybe a single car every 8-10 sessions is appropriate.
The retail coal business was on its last legs in 1965. The infrastructure to support the massive volumes of years past was already disappearing, although much was still in place. What was left was closed or vastly underutilized. The Claflin-Sumner yard should reflect this decline and look run-down and only receive limited shipments.
I’ve been making some progress on a bunch of small construction projects. Hopefully I can keep the momentum going. Here is what I’ve been up to:
I have banged out most of the open grid work I need to do to finish things. The entire staging yard is ready for subroadbed now and I did the sections around the back door including a lift out section. I also cut a notch in a partition wall so the yard could cut the corner.
I’m not happy with the lift out, though, it is too big and I am feeling less confident of all the tracks crossing gaps at skewed angles. I’m rebuilding it ASAP with a simpler design based on Lance Mindheim’s blog post (link), albeit on a curve. It will be sceniced but with next to no relief. This is going to sacrifice some realism, but will be easier to store, less likely to warp and should operate more reliably.
I built Jamesville Yard on a pair of hollow core doors capped with a layer of foam and a ceiling tile. Others have had success with this, but my yard bows up like a “U” in the spring from the humidity. This is very noticeable even from the side, if I were modeling a branchline it would not be a big deal, but it doesn’t look right on a main.
I have been meaning to strengthen this when it dries out in cold, dry weather but I missed my chance last year. Not taking any chances this year I added the fascia and some extra support as soon as the bow disappeared completely this year. What a huge difference a little thing like that makes visually. I also was able to fix the lighting on my workbench which is on a desk below, and that is a huge improvement too. Let’s hope the yard stays straight when the humidity comes back.
The photo from Jack Leonard from my last post gave me just enough of a glimpse of the coal yard that I could finally do a decent mockup of it. I used the dimensions from the 1950 Sanborn map and estimated the height above the rail from the picture. I used a 12:1 pitch on the roof, which is about as low as anyone goes in New England. With that drawn out I figured out the depth below the rail using a 10′ height on the low side. This meant I needed another half inch below grade for the building to sit properly. So I ripped out 1″ of foam and replaced it with a 5/8″ thick ceiling tile. I may steal a half an inch for the foreground by switching to prototypical 13′ track centers (1.8″) from the HO scale standard of 14.5′ (2″) when I relay this section with Micro Engineering track.
So lots of little projects are getting done and moving the layout forward. Those who are prolific layout builders say the best way to make progress is to do something every day, even if you only work for 15 minutes. It all adds up. How do you eat an elephant? One bite at a time.
Historical modeling hinges very much having and being able to find good photos of your subject. As such, I’ve been trying to be a little more aggressive in expanding my photo resources. When I started I could only document what the industrial landscape looked like along the line in the late 1990s, since then I’ve found some great period pictures and photographers have been very cooperative in allowing me to share their work here. I’ll describe some recent developments on this front below.
Jack Leonard Collection
Barb Hudson has posted about 150 photos from the collection of her father, Jack Leonard, on the Boston and Albany Railroad and New York Central Railroad Fangroup Facebook pages. I was finally able to catch up with Barb and get the permission to use those on this site from time-to-time. I didn’t realize I was already using one, the photo of the New England States at Jamesville, when I first became aware of this collection. It mainly the B&A east of Springfield covers the 1948-56 timeframe. Jack worked for the B&A and this is an insiders look at the property.
1955 Hurricane Diane
One of the first “eureka” moments I had in researching the Worcester area was finding a special edition of the Worcester Telegram & Gazette at my grandparents’ house that covered the damage caused by Hurricane Diane in 1955. This edition included several aerial photos of the Webster Square area. I recently reminded myself of this yesterday. I searched to see if I could find more pictures online and came up with a nice sequence of a washout repair in the vicinity of Heard Street and Thompson Wire.
I had thought the riprap embankment east of Heard Street was a remnant of this great flood and I turned out to be right. What was extra nice was all the photos of the Heard Street bridge. Since all the photos I had from this site were FROM the bridge, it never showed up in any pictures. I had figured out after years of research that this was a truss bridge of unknown design from shadows in aerial photos, but I didn’t know there was a parallel pedestrian bridge as well. Besides the bridge, a couple of exposures with Lombard Machine in the background will be of use. You can view the whole series here: T&G 1955 Flood Photos. Many of the photos are of factories and city-scapes and should be of interest to anyone modeling the industrial Northeast.
It appears that Bob’s Photos is thinning down their vast library of black & white negatives. These have been popping up on Ebay on a regular basis since October. Included appears to their collection of 400 B&A negatives taken by Carlton Parker during the 1930s and 40s. I don’t know if Robert Liljestrand is retaining the ability to reproduce these photos by digital means, but for those interested in the B&A please be aware this is happening. They are being listed under this account
Recently there was a short discussion on the Proto Layouts Group on IO about freight car fleet research and if would you change prototype if you had perfect information for a particular time and place of another line. I had an opportunity to do that with the carrier I grew up next to, the Grafton & Upton RR. While I eventually stuck with the NYC, I used this information to improve my modeling the the NYC.
The Grafton & Upton is a 15-mile carrier running between the Boston & Albany at North Grafton and the New Haven at Milford, Mass. It was incorporated in 1873 as the 3′ gauge Grafton Centre Railroad to connect the B&A with Grafton Center. It 1887 they were reorganized as the G&U, converted to standard gauge and extended to Upton, Hopedale and Milford. The line electrified passenger operations in 1901 and freight motors replaced steam in 1918. Trolley service stopped in 1928 and electric freight operations converted to diesel in 1946.
During this early years of the 20th Century the G&U was acquired by it’s largest shipper, the Draper Corp. of Hopedale, one of the largest textile machinery manufactures in the world. After Draper closed in 1980 the G&U spent about 30 years in a state of near suspended animation before being brought back to prosperity recently by a local business mogul.
When I had a chance to acquire a book of freight bills and waybills from their prosperous postwar years, I jumped on it. Freight bills include almost all the same info as waybills but are for calculating freight charges to be paid by the shipper and divisions of revenue to be paid out to each carrier.
I transcribed the information from this book into a spreadsheet in order to analyze it. You can download this spreadsheet along with my planned model roster here:
Forwarded loads consisted of 181 shipments of looms destined for the Southeast and Mexico. Loom shipments to the south were obvious, but what I was not expecting was that inbound shipments were made of 21 commodities to support Draper’s foundry and manufacturing as well as some local firms using the team track. The variety of commodities and car types illustrates what a great prototype an integrated machinery plant, or at least a foundry can make for a model. A summary of the received cars is as follows:
Belle Fource, SD
Box & Crate Material
New Haven, CT
W Elizabeth, PA
Reybold, DE and Kankakee, IL
Overhead Travelling Crane
Edgewater, NJ and Philadelphia, PA
NJ, MA, IL, NY
CT, NH, OH, PA
Summary of received carloads at Hopedale, MA for the month of May, 1965.
Planning a Roster
The G&U averaged 14.5 loads to or from Hopedale per business day during the month. That seemed small enough to model trains on a 1:1 basis. Using a 4 cycle waybill, I would need a minimum of 60 cars to fill the cycle. With 318 total shipments in the month, I would be modeling 1 out of every 5.5 shipments.
Originating at Draper, there were 181 shipments of looms. Most of these cars were ordered by Draper or G&U and arrived empty, but there were some cars that arrived with loads that were reloaded. All cars delivered empty were 50’ers. The 181 cars belonged to a total of 34 different railroads. Designs ranged from a pair of wood cars nearing their expiration date to the latest exterior post boxcars.
It was interesting that the NYC and NH filled their car orders differently. New York Central handled 65 of the shipments, 42 of these were loaded in NYC marked boxcars and none in XML equipment. The New Haven handled 116 cars, that they had a larger share was logical since they had the better route to the Southeast. Of these shipments, none were in home road equipment and 34 were cushioned XML cars heading back home. ACL provided most of these, with some SAL and SOU cars as well. Their use was apparently predicated on these roads getting a share of the linehaul, as all the routings included the car owner. Again NH’s superior route to the south resulted in them having ample supply of empty ACL equipment that possibly came north with furniture or paper. The balance of New Haven’s cars were in random XM equipment, this included nine NYC boxcars that were routed adverse to their owner.
The model fleet would consist of 33 boxcars from 16 different railroads: 10 NYC, 5 ACL, 2 PRR, 2 IC and single car from SP, SOU, SSW, UP, GMO, MP, NP, SAL, B&O, CB&Q, NW (WAB), AC&Y and C&O. Some of these would cover double duty with inbound shipments.
Inbound – Assigned Equipment
Modeling assigned cars is much more straightforward. I wanted to model at least one car of every commodity, so I would wind up with more model cars than the 5.5:1 ratio would have given. The model fleet would consist of the following:
Bentonite Clay – 1 insulated boxcar. North American (NIRX) was the car owner, hard to say whether this would have been painted in a special scheme for International Minerals & Chemicals or a plain lease fleet car.
Canoes – 1 DF boxcar. Alumacraft in Minneapolis on the NP shipped 5 loads to Jessie White in Mendon, MA via the team track. Alumacraft was open to reciprocal switching and sent loads out on multiple routes, possibly based on who could get them empties. SOO handled the most cars and would get the nod here…none moved in NP cars.
Propane – 1 insulated pressure tank car. Phillips Petroleum shipped 4 cars to Draper from Kankakee, IL and Reybold, DE. A single 11,000 gallon TPI from Atlas would represent these moves.
Motor Boats – 1 DF boxcar. Mirro Aluminum in Manitowoc, WI shipped 5 cars to Jessie White. All were in C&O DF equipped boxcars. These were ex-PM cars with 14′ double doors and 4-4 Improved Dreadnaught ends and will take some work to model. Ironically the first trip these boats made on the water was on one of C&O’s ferries from Manitowoc to Ludington, MI across Lake Michigan.
Road Salt – 1 covered hopper. Road salt shipments are boom or bust, in May they are usually pretty slow, so only one car was needed to replenish the shed in West Upton. LV supplied the empty and handled this move, International Salt could route cars multiple ways so the B&O, EL, NYC, PRR or GNWR could supply equipment as well.
Sand – 3 covered hoppers. Sand for the foundry came from many sources. 1 car from each of the NH (Tremont, MA), PRR (Weldron, IL or Milville, NJ) and CNJ/L&NE (Dividing Creek, NJ).
Steel Bars – 1 covered gondola. New Haven had a 15 car order of covered gondolas acquired to handle brass from the Waterbury, CT area. Not long after receiving them, the brass industry collapsed. At least a portion of their fleet was relegated to hauling steel from service centers in CT to end customers like Draper. These are 14-panel cars, that would need to be scratchbuilt (or live with the Athearn covered gon which is based on a similar prototype but scaled down 10% to fit their flatcar underframe – thanks Irv).
Steel Tube – 1 covered gondola. All four shipments from Morado, PA came in PRR G36C covered gondolas. Modeling the gondola itself isn’t a bad scratch building project – these are all welded cars – but the cover doesn’t look like fun. It looked like Modeler’s Choice was going to offer this as a laser cut styrene kit several years back, but it never made it out of pre-production….maybe Cannon & Co can add it to their catalog?
Inbound – General Service Boxcars
Of the inbound shipments, 19 were made in general service boxcars (XM). These were made up of 11 50′ and 8 40′ cars and covered nine different commodities. Four of the 50’ers were reloaded with looms while the rest were apparently returned empty to their respective connections. This is odd, as some other cars of the same classes were simultaneously being supplied as empties for loom loads. Regardless, I sought to gain efficiencies of modeling fewer cars by having the 50’ers perform two way duty, choosing to use only the loom cars to represent these cars.
The 40′ fleet would only need two cars, B&M and CB&Q being the most numerous names. I reality I already had more than enough cars on my roster to cover these moves.
Inbound – General Service Gondolas
There were 72 shipments made in mill (GB) and drop bottom (GS) gons. These cars were lettered for 27 different railroads, about 70% of the moves violated all of the car service rules. This is in stark contrast to the boxcars which mostly followed the rules. As I mentioned in a previous post, the mix of lengths was an eye opener: 34 were 39′-42′ 19 45′-50′; 18 52′-53′ and 1 65′ (the crane) – this is roughly a 2:1:1 ratio.
The model fleet would be made up of 13 cars from 11 roads (2 NYC and C&O and a single car from B&M, B&O, C&NW, IC, LT, L&N, URR, N&W/NKP/WAB, P&LE, PRR and URR. Loads would be broken down as follows:
Bulk Limestone – 1 NYC 41′ gondola from US Gypsum at Farnham’s, Mass. on the North Adams Branch. This car would have a removable load so it could do double duty with a pig iron load.
Coke – 5 various cars. Coke was supplied by Connecticut Coke of New Haven primarily using 40-46′ gondolas. While the NH itself had a fleet of these cars, none was used during this month, instead they had a motley collection of foreign road cars, some of which showed up more than one time during the month indicating they were stuck in captive service away from home.
Pig Iron – 5 various cars. There were multiple suppliers of pig iron from New York State. Iron pigs came in different shapes, but these appear to be the longer skinny kind, kind of like a stretched out Chunky bar (see piles in photo below). This would make for an interesting model, from what I’ve been able to find out piles of pig iron were loaded over each bolster. John Nehrich has suggested using triangular styrene from Plastruct with one side sanded down as a basis for these shapes.
Steel Bars, Steel Angles, Wrot Pipe – 1 of each. Again, all random cars.
While the book provided the bulk of the railroad’s movements for the month, it did exclude some freight to other stations. Interchange reports from 1960 at North Grafton show abrasives to Washington Mills in North Grafton, feed to various concerns in Grafton and Upton, anthracite coal to West Upton would also have moved, although the anthracite, like the road salt, would be slow at this time of year. The interchange reports do show that these moves would have been less than 10% of the total.
When we moved into our current house I looked at the space in the unfinished side of our basement as more than adequate to model a portion of the B&A mainline and never gave serious consideration to modeling the G&U. I did build quite a few of the cars necessary to fill the roster. It formed the backbone of my 50′ boxcar fleet and provided a great guide in developing my gondola roster as well as provide some needed insight into how empty cars were distributed. Years later, I did draw up a rough plan for a modular G&U layout for my space using Freemo branchline and mini-mo specs.
You could argue that a short line or branchline prototype like this would have been a better fit for my space and time. You might be right, but I like mainline railroading too much. Still, I continue to check cars off my planned G&U roster, as long as they are plausible on the B&A…maybe I’ll go in this direction on my next layout.
As I was waiting for my Flexi-Flo cars to arrive, I cleaned up my spray booth to get ready paint their trucks and add a layer of Dullcoat. With a clean booth, I kept on going and decided to paint, decal and weather a couple of cars this winter’s hit list.
Both of these cars wound up on my roster as a result of studying shipments on the Grafton & Upton in May of 1965. One observation I made about the gondolas in this study, was the variety of lengths in the mix. It is easy to fall into the trap of modeling mostly 52′ gons, but in the sample there were cars of 39′, 40′, 41′, 42′, 45′, 46′, 48′, 49′ and 50′ lengths and they made up nearly 2/3 of the shipments. Both of these cars were selected, not only because they showed up multiple times in the sample and are significant cars on their respective fleets, but also because they help create some variety in my fleet.
B&M Magor Drop Bottom Gondola
This car is an old Funaro & Camerlengo kit that is based on B&M and MEC’s 40′ drop bottom gons. The B&M had 1250 cars (92000-93249 – with 25 assigned Mystic Terminal reporting marks) while the affiliated Maine Central received 250 (3200-3449). The B&M fleet saw varied use but were mostly intended for the Eastern Gas & Fuel coke works and pig iron furnace in Everett, Mass (served both by B&M and B&A). The pig iron plant closed in 1956 and the coke works closed in 1960, but these cars were still fairly common around New England for years afterwards. For my purpose, it will represent a car in a joint NYC-B&M pool of empties for scrap loading within the Boston Switching District (Prolerizer in Everett and Schiavone in Charlestown).
By October of 1966 there were only 446 cars left in interchange service, with 313 of these rebuilt with solid steel floors and renumbered into the 9200-9899 series. As of this writing Pan Am Railways still has 5 of these cars in their short welded rail train and a couple others converted to wheel cars assigned to Waterville, ME.
I opted to model a rebuilt car, as they were more numerous and doing so saved me from adding all the tiny Wine door latch hardware. I used Proto 2000 plankless trucks, A-Line stirrups, Kadee #158 couplers, Tangent uncoupling levers and Hi-Tech air hoses to finish the model.
The one complication I had was that most of these cars featured a small McGinnis logo with a white B and and blue M – a decal that is not readily available in HO scale. I contacted Highball Graphics to see if a logo from another set was the right size. They asked the size and printed a bunch for me special instead. You can’t beat that kind of customer service! I painted the car Model Master Flat Black and weathered it with a wash of raw sienna oil paint followed by an application of Pan Pastels.
N&W G-5 Mill Gondola
The other car I finished was a Norfolk & Western G-5 class 46′ mill gondola. Three showed up in Hopedale, MA during 5/65, so I had highlighted it as a potential car to model. That small sample aside, the numbers make this a statistically significant car by themselves. The N&W’s fleet of gondolas was the 5th largest in the US in 1966 at 12,047 cars (including ex-NKP, P&WV, WAB and VGN cars) and G-5 was their biggest class. Originally numbering 2,500 cars (88000-90499), they were built in five separate orders between 1952 and 1956 by various builders.
This was a resin kit from Pocahontas Models, it was later offered by Speedwitch Media. Although it is still cataloged, it has been out of production for quite a while. I failed to acquire one when it was available, but managed to score an unopened secondhand kit at the Springfield Show a few years ago. It was another simple kit to build with a one-piece body. The one part that I did different than the instructions was the installation of the lading band anchors. The instructions called for them to be mounted on top of the top chord, when in fact they need to be mounted on the side. A detail shot of a car on the RR-Fallen Flags made this clear. I was expecting the assembly process on this part to be very difficult, but I figured a way to cut them from the fret leaving a mounting pin and a Glue Looper made the application of CA a simple, mess-free process.
I used Kato 70-Ton ASF Ride Control trucks, A-Line stirrups, Kadee #22 couplers, Tangent uncoupling levers and Hi-Tech air hoses to finish the model. The choice of #22 couplers was because the car body would have had to sit too high with #158s. I also attempted to model the tie down loops on the top chord, they came out bad and I removed them. I skipped redoing them in the interest of actually finishing the model. I may fix this when I add a load to the car.
I painted the model with Model Master Flat Black and lettered it with the supplied decals. In retrospect the big “N&W” looks undersize, but I’m not aware of a source for correct size lettering. It looks OK as long as you aren’t directly comparing it to a prototype photo. The car was weathered with oil paints and Pan Pastels after sealing with Dullcoat. I masked off some lettering to simulate repack and reweigh stencils. Some chalk marks drawn with a white colored pencil completed the job.
While these probably took longer than they should have to finish, I’m happy to have two more check marks on my list of this winter’s projects. On to the next one.
While I was searching the web for an update on the new passenger station being built below Grand Central Terminal for trains from Long Island, I was reminded of a short science fiction story by Jack Finney titled The Third Level”. My father, an English teacher, introduced me to the story growing up.
The plot revolves around an everyman named Charlie who is nostalgic for the past. His life changes when he gets lost in the maze of tunnels in Grand Central Terminal. Since the part of the Venn diagram where science fiction and the New York Central overlap is pretty small, I thought I’d share it in the spirit of the season, read it here.
Those of us with model railroads set in the past all can relate to Charlie in some way I guess. Happy Halloween New York Central style.